ANTONIO VIVALDI Concerti per La Pietà
GCD 923414
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Europa Galante Fabio Biondi Special 30th-anniversary recording —
Production details
Total playing time 71:04 Recorded in Lonigo, Italy, in May 2019 Engineered and produced by Fabio Framba Booklet essay by Pierre Élie Mamou English – Français – DeutschMade in the Netherlands
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ANTONIO VIVALDIConcerti per La Pietà01-03 Concerto per due violini (D major, RV 513)Allegro moltoAndanteAllegro04-06 Concerto per violino “per la Signora Chiara” (D major, RV 222)AllegroAndanteAllegro07-09 Concerto per violino, organo e cello (C major, RV 554a)(no tempo indication)(no tempo indication)Allegro10-12 Concerto per viola d’amore, liuto ed archi (D minor, RV 540)AllegroLargoAllegro13-15 Concerto per archi ripieno (G minor, RV 152)Allegro moltoAndante moltoAllegro molto16-18 Concerto per violino “per Anna Maria” (E flat major, RV 349)AllegroGraveAllegro ma poco
About this album
Violinist Fabio Biondi has a singular capacity for finding something new and exciting in the music of Antonio Vivaldi whenever he considers it, a prodigious feat which he demonstrates with Concerti per La Pietà, a new collection of works calling for a variety of demanding solo challenges, superbly met by Biondi and his colleagues from Europa Galante.
In his Venetian years the well-spring of Vivaldian inventiveness was fed by the composer working with one of the leading orchestras of early eighteenth-century Europe: the one at the Ospedale della Pietà, the charitable institution which took in, cared for – and educated – girls who had been orphaned or abandoned. Within the ospedale were nurtured instrumental virtuosos – known today only by their “sporting nicknames”: Bettina della viola, Margherita del arpa doppia, Lucieta della tromba, etc. Calling variously for solo violin, two violins, lute, cello, organ, or viola d’amore (Biondi plays an unreconstructed 1758 Vinaccia instrument), the concertos recorded here are drawn from across the thirty years in which Vivaldi worked at the ospedale.
The freshness and personalness of Fabio Biondi’s musicmaking with Europa Galante has itself now been in evidence for a remarkable three decades and this new album, conceived as a special 30th-anniversary recording, won’t disappoint listeners ready to have their preconceptions challenged yet be stimulated by consummate musicianship.