CLAUDIO MONTEVERDI (1567-1643)
Lagrime d’amante
Madrigals of love and grief

01 Ecco mormorar l’onde (2nd Book)
02 Era l’anima mia (5th Book)
03 A un giro sol (4th Book)
04 Ecco Silvio, colei (5th Book)
05 Mentr’io mirava fiso (2nd Book)
06 Baci soavi e cari (1st Book)
07 Non più guerra, pietate (4th Book)
08 Rimanti in pace (3rd Book)
09 O primavera, gioventù del anno (3rd Book)
10 Ah, dolente partita (4th Book)
11 Zefiro torna (6th Book)
12 Longe da te, cor mio (4th Book)
13 Lagrime d’amante (6th Book)

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About this album

With Lagrime d’amante, La Compagnia del Madrigale, so accomplished with 16th- and 17thcentury Italian music and words, turns its attention afresh to the music of Claudio Monteverdi. This new Glossa release, recorded in Cumiana, outside Turin, faithfully conveys the beauty of the ensemble’s vocal blend in a selection of five-part compositions drawn from the Monteverdi of Cremona, Mantua and Venice, but centring on that cornerstone of his art, the Sixth Book.

The act of singing whilst weeping – as Marco Bizzarini points out in his booklet essay – is somewhat unfeasible, but time after time Monteverdi strove to overcome that improbability by his music, often calling upon the best Italian poetry of the time: here, the fabulously vivid imagery of Torquato Tasso, Battista Guarini and Petrarch are well served by Monteverdi’s musical response.

The programme takes us through various troubled emotional states involving love: a lover dying of love, the partenza amorosa (or lovers’ separation), even a shepherd accidentally wounding his loved one, but also the outpouring of grief in the Lagrime d’amante al sepolcro dell’amata, a commissioned madrigal cycle to newly written words lamenting the death in 1608 of the promising singer Caterina Martinelli, a pupil of the composer, but also that of Monteverdi’s wife. This work and others on this recording involved the lamented bass Daniele Carnovich to whom the group pay tribute; the sessions were completed by Matteo Bellotto.