REGINA BASTARDA The virtuoso viola da gamba in Italy around 1600
GCD 922519
—
Paolo Pandolfo, viola bastarda
Thomas Boysen, theorbo Chiara Granata, arpa doppia Amélie Chemin, lira da gamba Francesco Saverio Pedrini, harpsichord & organ
La Pedrina, vocal ensemble*
Production details
Total playing time 63:56 Recorded in Z�rich (Kirche Oberstrass) on 24-30 September 2018 Engineered and produced by Manuel Mohino Booklet in English – Français – DeutschMade in Austria
Links & downloads
Commercial Release Sheet
Buy this product
REGINA BASTARDAThe virtuoso viola da gamba in Italy around 1600
01 O. Bassani: Toccata per b quadro 02 G.P. da Palestrina: Vestiva i colli* 03 F. Rognoni: Vestiva i colli 04 G.P. da Palestrina: Così le chiome* 05 O. Bassani: Così le chiome 06 C. de Rore: Anchor che col partire* 07 R. Rognoni: Anchor che col partire 08 D. Ortiz: Ricercata terza 09 G. dalla Casa: Anchor che col partire* 10 A. Virgiliano: Ricercare per la viola bastarda 11 T. Crecquillon: Ung gay berger* 12 R. Rognoni: Ung gay berger 13 P. Sandrin: Doulce mémoire* 14 V. Bonizzi: Doulce mémoire 15 O. di Lasso: Susanne un jour* 16 O. Bassani: Susanne un jour 17 A. Willaert: Jouissance vous donnerai*18 V. Bonizzi: Jouissance vous donnerai
About this album
Popular madrigals and chansons of the 16th century served as models for richly embellished “alla bastarda” versions on the viola da gamba. In this recording, the vocal originals are presented together with the extremely virtuoso instrumental versions which represent the first and hardly surpassed apex of solo literature for viola da gamba.
For 25 years, Paolo Pandolfo has been one of the leading viola da gambists of his generation, researching and promoting the repertoire of his instruments in all directions. The thorough knowledge of all aspects of the viola da gamba repertoire becomes clear in his extensive discography. Not only has he recorded the most important works of the viol literature, but also very personal musical statements in which he combined the youthful experiences as a double bass player and guitarist with compositions and improvisations that are just as influenced by jazz as they are by the historical repertoire. With the bastarda diminutions, he now proffers an early milestone of the solo viol literature in which the exuberant virtuosity serves to present enchantingly beautiful music.
On this very special project, with instruments built ad hoc, he is joined by some of the finest continuo players of the early music scene (Boysen, Granata, Chemin, Pedrini) and the exquisite vocal ensemble La Pedrina, together producing what definitely will be considered as a key recording of repertoire for the viola da gamba.