MARIN MARAIS Le Labyrinthe
GCD C80404
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Paolo Pandolfo, viola da gamba Thomas Boysen, theorbo & baroque guitarMitzi Meyerson, harpsichord
with: Juan Carlos de Mulder, baroque guitar Alba Fresno, viola da gamba François Fauché, reciter Pedro Estevan, percussion
Production details
Total playing time 66:54Recorded in Cuenca (Iglesia de San Miguel), Spain, in June 1999 Engineered by Isidro Matamoros Produced by Emilio Moreno, Paolo Pandolfo and Carlos Céster Booklet in English – Français – Deutsch Made in the Netherlands
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MARIN MARAIS (1656-1728)Le Labyrinthe - Pièces de caractère
1 Prélude en harpegement (Livre V) 2:29 2 Le Labyrinthe (Livre IV) 12:33 3 Cloches ou Carillon (Livre II) 6:36 4 La Polonaise (Livre II) 2:43 5 La Musette (Livre III) 3:42 6 La Guitare (Livre III) 3:59 7 La Georgienne dite La Maupertuy (Livre V) 1:39 8 Plainte (Livre III) 3:46 9 Le Jeu du volant (Livre V) 1:54 10 Marche Persane dite La Savigny (Livre V) 3:38 11 Rondeau. Le Bijou (Livre IV) 3:27 12 Sarabande à l’Espagnol (Livre II) 3:15 13 Le Tableau de l’opération de la taille (Livre V) 3:37 14 Le Tourbillon (Livre IV) 1:09 15 Tombeau pour Marais le Cadet (Livre V) 5:5716 Chaconne en rondeau (Livre II) 6:08
About this album
Paolo Pandolfo is no doubt one of Glossa’s key artists. Still on the label since he joined it in 1995, this recording of a selection of works by Marin Marais was a milestone in his career. Rarely has this repertoire been played with such an energy and attention to detail, with such a magic in all its many special moments. An all-star setup including Thomas Boysen, Mitzi Meyerson and Pedro Estevan tells us about the labyrinth at Versailles, the bells of Paris or a painful surgery. Among the many unforgettable moments are Pandolfo’s reading of the Tombeau pour Marais le Cadet and the Chaconne.