FRANÇOIS FRANCŒUR Sonates à violon seul et basse continue
GCD 921809
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Kreeta Maria Kentala, violin Lauri Pulakka, cello Mitzi Meyerson, harpsichord
Production details
Total playing time 63:38 + 60:34 Recorded in the church of Kaustinen, Finland, in January 2018 Engineered and produced by Simon Fox-Gál Executive producer: Carlos Céster English – Français – DeutschMade in Austria
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FRANÇOIS FRANCŒURSonates à violon seul et basse continue
CD I
Sonata no. 1 in G major 01 Adagio 3:02 02 Courante 2:32 03 Sarabande 1:32 04 Gavotte 2:44 05 Gigue 3:07
Sonata no. 2 in E minor 06 Adagio 2:11 07 Allemande 2:44 08 Sarabande 2:57 09 Rondeau 2:18 10 Presto 3:04
Sonata no. 4 in B minor 11 Adagio 2:42 12 Courante 3:54 13 Sarabande 2:47 14 Gigue 2:28 15 Gavotte 1:09
Sonata no. 6 in E major 16 Adagio 1:55 17 Allemande 3:26 18 Sarabande 1:52 19 Gavotte 2:11 20 Gigue 2:42
Sonata no. 9 in A major 21 Adagio 2:50 22 Courante 4:12 23 Adagio 2:00 24 Gigue 3:01 CD II
Sonata no. 7 in D minor 01 Adagio 2:17 02 Allemande (marqué) 3:13 03 Rondeau 2:18 04 Sarabande 2:23 05 Rondeau (gay) 3:28
Sonata no. 5 in C minor 06 Allemande (allegro) 4:18 07 Adagio 3:38 08 Gavotte 1:30 09 Presto 4:04
Sonata no. 3 in B flat major 10 Allemande (adagio) 2:57 11 Allemande 3:05 12 Sarabande 2:41 13 Rondeau en muzette 2:13
Sonata no. 8 in F minor 14 Adagio 2:54 15 Courante 2:53 16 Adagio 1:06 17 Rondeau 2:24
Sonata no. 10 in G major 18 Allemande (adagio) 3:36 19 Allegro 3:13 20 Sicillienne 3:10 21 Presto 2:59
About this album
For her ninth recording project on Glossa, the Berlin-based American harpsichordist Mitzi Meyerson is joined by her Finnish colleagues Kreeta-Maria Kentala (violin) and Lauri Pulakka (cello). With this same setup – which they are keen to call the “Jones Band” – they have previously unearthed works for the label by Richard Jones and Giovanni Battista Somis.
The new recording is centred on François Francoeur, a celebrated member of the Vingt-quatre Violons du Roi and of Le Concert Spirituel in France, and codirector, later in his career, with François Rebel, of the Paris Opéra. The ten violin sonatas on the present double album represent the complete Premier Livre de sonates à violon seul et basse continue, published in Paris in 1720. The writing brings together the elegance of the French style and the energy of the Italian in a perfect blend of both aesthetics, with Francoeur presenting his own unique voice in this collection in an effective manner. The music is tuneful and fresh, refined and robust, complete with tender melodies, wild dances, pastorales, and movements of unabashed virtuosity.