THE GASPARINI ALBUM Opera arias
GCD 922905
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Roberta Invernizzi, soprano
Auser Musici Carlo Ipata
Production details
Total playing time 59:30 Recorded in Pisa (Teatro Rossi Aperto), Italy, on 24-27 August 2016 Engineered and produced by Fabio Framba Executive producer: Carlos Céster Booklet essay by Carlo Ipata English – Français – Italiano – DeutschMade in Austria
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THE GASPARINI ALBUMOpera arias by Francesco Gasparini (1661-1727)
1 Se la Grecia s’armerà (Astianatte) 2 Qui ti scrivo o nome (L’oracolo del Fato) 3 Nell’orror della procella (Il Ciro) 4 Par che mi nasca in seno (Bajazette) 5-7 Sinfonia (Engelberta) 8 Svena uccidi (Il Tamerlano) 9 Cor di padre (Il Tamerlano) 10 Qui dal porto d’ocean (Santa Eufrosina) 11 D’ire armato (Amleto) 12 Se non canti più (L’oracolo del Fato) 13-16 Andate o miei sospiri (Cantata) 17-19 Concerto per flauto 20 Non ha incendio (Il Roderigo) 21 Non vo lasciarti più (Il Roderigo)22 Ombre care (Atalia)
About this album
The latest striking release from soprano Roberta Invernizzi acts as a lightning conductor for this new vocal extravaganza from Glossa devoted to the Italian Baroque composer Francesco Gasparini. Invernizzi finds herself very much home both in the music – which was originally first performed around the turn of the eighteenth century and which provided “influences” for Handel, who was Gasparini’s junior by some 20 years – but also, so noticeably, with the words: librettos from the likes of Zeno, Piovene or Salvi find this singer exercising her customary intelligence.
Carlo Ipata, directing his ensemble Auser Musici, combines his natural and obvious flair for Italian and music of the time – he has also recorded the opera Il Bajazet for Glossa – with the painstaking demands of the research required to identify brilliant arias from slumbering the various shades of neglect. Gasparini wrote some sixty operas, as well as oratorios and many cantatas. For Invernizzi Ipata has crafted a beguiling selection from this abundance of music which proved so successful in both princely soirées in Rome and public theatres in Venice. Arias come from operas such as Il Roderigo and Amleto and oratorios such as L’oracolo del Fato and Atalia. As well as the cantata, Andate o miei sospiri, composed by Gasparini as part of a challenge undertaken jointly with Alessandro Scarlatti, Ipata and Auser Musici have added an attractive flute concerto written during his time as a teacher at Venice’s Ospedale della Pietà.