NUEVO MUNDO
17th-century music in Latin America

1 Diego José de Salazar (c.1660-1709): Salga el torillo
2 Anonymous (1611): Hanacpachap cussicuinin
3 Diego Fernández (fl.mid-16th century): Danza (instr.)
4 Juan de Araujo (1646-1712): Si el amor se quedare dormido
5 Juan Hidalgo (1612-1685): Al dichoso naçer de mi niño
6 Francisco de Peñalosa (c.1470-1528): Danza (instr.)
7 Gaspar Fernandes (c.1570-1629): Tleycantimo choquiliya
8 Gaspar Fernandes: Si nos emprestara oy Dios
9 Gaspar Fernandes: Xicochi xicochi conetzintle
10 Antonio de Ávila: Entrada (instr.)
11 Gaspar Fernandes: Pois con tanta graça
12 Hernando Franco: In il huicac
13 Hernando Franco: Dios itlaço nantzine
14 Fray Gerónimo González (fl.c.1630): Serenissima una noche
15 Juan Gutiérrez de Padilla (c.1590-1664): A siolo flasiquiyo
16 Juan García (1619-1678): Hermoso amor
17 Juan Gutiérrez de Padilla: A la xácara xacarilla
18 Tomás de Torrejón (c.1644-1728): Desvelado dueño mío
19 Anonymous (17th century): Un juguetico de fuego
20 Juan de Araujo: Dime amor
21 Juan de Araujo: Los coflades de la estleya

—

About this CD

Just listening to soprano María Cristina Kiehr in her early collaborations with Gabriel Garrido is a sheer pleasure! This recording has been available first on Symphonia, then on Pan Classics, but now it arrives to Glossa Cabinet for a new life. Garrido is the big “discoverer” of music created in Latin America after the arrival of the “conquistadores” – this music bears strong traditional flavours, while at the same time reflecting the strong influences from Spain (especially) and Portugal. A big line-up of fine singers and instrumentalists supports the reconstruction of an essential repertory.