OCCHI TURCHINI Songs from Calabria
GCD P33002
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Pino De Vittorio, voice, chitarra battente & percussion
Laboratorio ’600 Fabio Accurso, lute Elisa La Marca, lute & theorbo Flora Papadopoulos, harpFranco Pavan, theorbo, chitarra battente & direction
Production details
Total playing time 76:43
Recorded in Milan (Chiesa di Sant’Antonio Abate), in May 2016 Engineered and produced by Rino Trasi Booklet essay by Franco PavanEnglish – Français – Italiano – Deutsch
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OCCHI TURCHINISongs from Calabria
01 Occhi turchini 02 La scillitana 03 Frasca 04 La fija du marinaru 05 Tarantella ’nfuocata 06 Si partì la Madonna 07 A spuntunera 08 Xaccara calabrese, spagnuola 09 Arietta grica 10 Matajola 11 Te Deum de’ calabresi 12 Canzona a morto 13 Sonata dopo la canzone 14 Amicu, hai vintu 15 La calabrisella 16 Capiddi di sita 17 Veni sonne di la muntagnella 18 Romaica calabreisa19 Kopile moj kopile
About this album
With Occhi turchini that inspiring singer, instrumentalist and actor, Pino De Vittorio has returned to the recording studio, fixing his sights on the musical culture of the Italian region of Calabria. For a new recording for Glossa, Franco Pavan and his Laboratorio ’600 have been researching back over the centuries the rich musical texture of the region, known as the “toe” of the Italian “boot”.
Most recently, singer and ensemble worked together for the Siciliane recording, also for the Spanish label. This new programme embraces traditional songs, examples of the adulteration of the local language for comic effect in Baroque Neapolitan opera, and even a parody of the text for the Te Deum in the same Calabrian, but also reflections of other – Byzantine, Greek, Albanian and Arabic – cultures which have permeated the region over the centuries.
Pino De Vittorio – that versatile powerhouse of mood – is the ideal vocal interpreter for this multilayered chequerboard of the region’s cultural history, with Pavan and his ensemble imparting colourful accompaniment for De Vittorio or spirited soloistic playing in instrumental works such as the Tarantella ’nfuocata, La calabrisella, and especially the Canzona a morto, played on the harp by Flora Papadopoulos. Pavan, as well as playing theorbo and the Calabrian chitarra batente, also acts – through his booklet essay – as guide across this rugged, isolated, but immensely rich cultural terrain.