HEINRICH ISAAC Missa Misericordias Domini & Motets
GCD P31908
—
Cantica Symphonia
Laura Fabris, soprano Francesca Cassinari, soprano Giuseppe Maletto, tenor Gianluca Ferrarini, tenor Fabio Furnari, tenorMarco Scavazza, baritone
Guido Magnano, organ Svetlana Fomina, fiddle Efix Puleo, fiddle Daniela Godio, fiddle Ermes Giussani, sackbut & slide trumpet Mauro Morini, sackbutDavid Yacus, sackbut & slide trumpet
Giuseppe Maletto, direction
Production details
Total playing time: 70:44Recorded in the Chiesa della BV Maria del Monte Carmelo al Colletto, Roletto, Italy, between August 2009 and July 2013Engineered and produced by Davide Ficco and Giuseppe Maletto Executive producer: Carlos Céster Booklet essay: Guido MagnanoEnglish – Français – Deutsch - Italiano
Links & downloads
Commercial release sheet (PDF)
Buy this product
HEINRICH ISAACMissa Misericordias Domini & Motets
01 Ave regina caelorum02 Ave ancilla trinitatis
Missa Misericordias Domini 03 Kyrie 04 Gloria 05 Credo 06 Sanctus07 Agnus Dei
08 Inviolata 09 Sub tuum praesidium 10 Rogamus te 11 Quae est ista 12 O decus Ecclesiae
About this CD
With Heinrich Isaac, Giuseppe Maletto and Cantica Symphonia turn their attention to one of the most influential Franco-Flemish composers of the Renaissance, presenting a hitherto unrecorded mass setting, his Missa Misericordias Domini, and a selection of outstanding and substantial motets. Isaac was one of the leading composers who, born and trained in Flanders, took up employ in Italy: in his case he worked at the sumptuous court of Lorenzo de’ Medici in Florence at the end of the fifteenth century (on the latter’s death Isaac was then taken on by the Emperor Maximilian I).
This new recording from Glossa offers a rare chance today of appreciating the music of this extraordinarily prolific composer, often unfairly (as he was in his own time) obscured by the shadow cast by his near-contemporary Josquin Desprez, in interpretations which the sextet of long-experienced singers of Cantica Symphonia handle with their typical skill. If the Missa Misericordias Domini ultimately owes its thematic material to an Italian secular song, a frottola (and Guido Magnano, in his booklet essay, maps out Isaac’s biography in Florence to explain this choice), the motets here – including O decus Ecclesiae, Quae est ista and Inviolata – are resolutely Marian devotional works; some recorded also for the first time.
The established special colouring of Cantica Symphonia’s work is maintained here by the wellconsidered presence in some of the motets of instruments of the time, notably, fiddles, sackbuts and slide trumpets.