LUZZASCO LUZZASCHI Quinto Libro de Madrigali
GCD C80905
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La VenexianaClaudio Cavina, director
Rossana Bertini, soprano Nadia Ragni, soprano Emanuela Galli, soprano Claudio Cavina, countertenor Sandro Naglia, tenor Giuseppe Maletto, tenorDaniele Carnovich, bass
Loredana Gintoli, double harp Franco Pavan, lute Gabriele Palomba, lute Rodney Prada, viola da gamba Fabio Bonizzoni, harpsichord
Production details
Total playing time 69:16 Recorded in Roletto (Chiesa della bv al Colletto), Italy, in February 1999 Engineered by Davide Ficco Produced by Sigrid Lee & La Venexiana
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LUZZASCO LUZZASCHI (c.1545-1607)Quinto Libro de Madrigali
1 Aura ch’errando intorno 2 Itene a volo 3 Lungi da te cor mio 4 Se la mia vita sete 5 Aura ch’errando intorno* 6 O miracol d’amore 7 Ecco, o dolce, o gradita 8 Ahi cruda sorte mia 9 Se parti i’ moro 10 Tu godi o bell’amante 11 Io vissi anima mia 12 Ecco, o dolce, o gradita* 13 Cinto di neve homai 14 A l’hor fia lieto il core 15 Credete a me 16 Vivo da voi lontana 17 Parte il corpo da voi 18 Moro ardendo 19 A l’hor fia lieto il core* 20 Come viva il mio core 21 Godete anima bella 22 Può ben fortuna far 23 Non guardar, che se guardi 24 Itene mie querele (Sesto Libro)** 25 Credete a me* 26 Cor mio, benché lontana (Sesto Libro)**27 Gioite voi col canto (Settimo Libro)**
* alternative version ** bonus track
About this CD
The Ferrarese Luzzasco Luzzaschi, a pupil of Cipriano de Rore and teacher in turn of Girolamo Frescobaldi, much admired and praised by the self-same Gesualdo da Venosa, has passed into history as the principal musical inspiration for the Concerto delle Dame, that vocal trio with instrumental accompaniment (for which Glossa has very recently produced a new recording). Luzzaschi’s Quinto Libro de Madrigali from 1595, fully in keeping with the seconda prattica, which stressed the fundamental role of the text both at the point of composing and performing, and which was a new aesthetic which the ensemble La Venexiana led by Claudio Cavina have been responsible for reviving over the last twenty years with a superlative and refined commitment. With this disc from 1999 – their third such for Glossa – the group was definitively recognized as leading modern-day interpreters of madrigals.