MUSIC IN THE TIME OF VELÁZQUEZ 17th-century songs and instrumental pieces
GCD C80201
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Ensemble La RomanescaJosé Miguel Moreno, Baroque guitar, vihuela & direction
Marta Almajano, soprano Paolo Pandolfo, viola da gamba Juan Carlos de Mulder, theorbo Nuria Llopis, harp Toni Millán, harpsichord
Production details
Total playing time 62:45 ?Recorded in San Lorenzo de El Escorial (Ermita de Abantos and Villa Consuelo), Spain, in November 1991 and April 1992 Engineered by José Miguel Moreno and José Carlos CabelloProduced by Lourdes Uncilla
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MUSIC IN THE TIME OF VELÁZQUEZ17th-century songs and instrumental pieces
1 Gaspar Sanz / Antonio Martín y Coll: Folías2 Juan Hidalgo: Peynándose estaba un olmo3 Juan Hidalgo: ¡Tonante dios!4 Antonio Martín y Coll: Canarios5 José Marín: Ojos, pues me desdeñáis6 Bartolomé de Selma y Salaverde: Susana passeggiata7 Juan Hidalgo: De las luces que en el mar8 Juan Hidalgo: Cuydado, pastor9 Gaspar Sanz: Canarios10 Juan Hidalgo: Ay que sí, ay que no11 Lucas Ruiz de Ribayaz: Españoletas12 José Marín: Aquella sierra nevada13 Bartolomé de Selma y Salaverde: Fantasía14 José Marín: No piense Menguilla15 Francisco Guerau: Marionas16 Sebastián Durón: Sosieguen, descansen17 Juan Hidalgo: Ay, que me río de Amor18 Gaspar Sanz: Lantururú
About this CD
Along with Canto del Cavallero, a vihuela disc also in the care of José Miguel Moreno, this was the first recording of the Glossa label to be released, back in 1993. In a vivacious and colourful tour of music for the stage, tonos humanos and instrumental pieces from 17th-century Spain, the Ensemble La Romanesca (with the soprano Marta Almajano, the gambist Paolo Pandolfo and José Miguel Moreno, playing the guitar, as its principal contributors) conjured up a legendary disc which continues being an unsurpassed recommendation and, we would even go as far to say, an unsurpassable one.