ANTONIO CALDARA Trio Sonatas
Amandine Beyer, violinLeila Schayegh, violin
Jonathan Pesek, violoncelloJörg-Andreas Bötticher, harpsichord & organMatthias Spaeter, liuto attiorbato
Total playing time 72:48 Recorded in St. Gerold (Voralberg, Austria) on 5-7 May 2014 Engineered and produced by Markus Heiland Executive producers: Thomas Drescher, Carlos Céster Photographs: Susanna Drescher Booklet essay by Thomas DrescherBooklet in English - Français - Deutsch
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ANTONIO CALDARA (c.1670-1736)Trio Sonatas
?Sonata quarta in B flat major (op. 1/4) 1 Grave 2 Allegro 3 Adagio 4 Allegro
Sonata quarta in G minor (op. 2/4) 5 Allemanda. Largo 6 Corrente. Allegro 7 Giga. Allegro 8 Gavotta. Allegro
Sonata duodecima in D minor (op. 1/12) 9 Adagio - Presto - Adagio 10 Allegro assai 11 Adagio 12 Allegro
Sonata undecima in E major (op. 2/11) 13 Preludio. Adagio 14 Allemanda. Allegro 15 Sarabanda. Largo 16 Giga. Allegro
Sonata quinta in E minor (op. 1/5) 17 Grave 18 Vivace 19 Adagio 20 Vivace
Sonata ottava in F major (op. 2/8) 21 Preludio. Presto 22 Allemanda. Allegro 23 Corrente. Allegro 24 Tempo di sarabanda. Largo
Sonata sesta in C minor (op. 1/6) 25 Grave 26 Presto 27 Adagio 28 Allegro
Sonata seconda in B flat major (op. 2/2) 29 Preludio. Largo 30 Allemanda. Allegro 31 Corrente. Allegro spiritoso 32 Gavotta. Allegro
33 Chiacona in B flat major (op. 2/12)
About this CD
Two former students of the Schola Cantorum in Basel, both now captivating audiences each with their individual violinistic artistry, Amandine Beyer and Leila Schayegh, join forces for a new SCB recording devoted to the trio sonata music of Antonio Caldara, and issued with Glossa.
Though he is known now (as for much of his life) primarily as a composer of oratorios and operas, the Venetian Caldara made his name penning early examples of the trio sonata form; his Opp. 1 and 2 sets were published in 1693 and 1699 respectively. Caldara’s Op. 1 Trio Sonatas are characterized by their contrasting use of fast and slow movements, those from the second set by their incorporation of dances. Yet Caldara’s melodic gift – which was to serve him so well in his musical posts in various Italian states, in Barcelona, and as vice-Kapellmeister at the Imperial Court in Vienna – is already evident in Beyer and Schayegh’s selection from his instrumental publications; the composer was also already noted as a virtuoso of the cello – and he also played the violin and keyboard, and the awareness of all these instruments is greatly evident in these trio sonatas.
The continuo team here is made up of Jonathan Pesek, cello, Jörg-Andreas Bötticher, harpsichord and organ, and Matthias Spaeter, liuto attiorbato. Beyer and Schayegh both were taught at the SCB by Chiara Banchini and are continuing their connection with the school as teaching successors to Banchini.