TEMPESTA
Opera arias by Handel & Vivaldi

01 Spesso di nubi cinto
[Adalgiso – Nicola Porpora, Carlo il Calvo]

02 Sovvente il sole
[Perseo – Antonio Vivaldi, Andromeda liberata]
solo violin: Zefira Valova

03 Ouverture
[Georg Friedrich Handel, Agrippina]

04 Pensieri, voi mi tormentate
[Agrippina – Georg Friedrich Handel, Agrippina]
solo oboe: Gilles Vanssons

05 Torbido in volto
[Farnaspe – Giovanni Battista Pergolesi, Adriano in Siria]

06 Quando mai spietata sorte
[Zenobia – Georg Friedrich Handel, Radamisto]
solo oboe: Gilles Vanssons

07 Brilla nell’alma
[Rossane – Georg Friedrich Handel, Alessandro]

08 Ombra mai fù
[Serse – Georg Friedrich Handel, Serse]

09 Io son fra l’onde
[Rustena – Antonio Vivaldi, La verità in cimento]
solo flautino: Alexis Kossenko

10 Agitata da due venti
[Costanza – Antonio Vivaldi, Griselda]

11 Ouverture: Allegro
12 Ouverture: Andante
[Antonio Vivaldi, L’Olimpiade

13 Siam navi all’onde algenti
[Aminta – Antonio Vivaldi, L’Olimpiade]

—

About this CD

With Tempesta, her first recital disc, mezzo-soprano Blandine Staskiewicz has chosen to venture into the emotional storms and calms beloved of Baroque composers – notably Vivaldi and Handel – which provided their operatic arias with that intense charge that captivates listeners still. As befits one raised on the tranquil – yet at times tempestuous – Belle-Île-en-Mer, lying off the Brittany coast, Staskiewicz is able to portray a fabulous array of moods to match her vocal beauty.

If the Neapolitans Nicola Porpora and Giovanni Battista Pergolesi are each represented on this disc by a single burst of concentrated dramatic feeling, it is to the fiery and tempestuous music of Vivaldi and the more psychological and interiorized offerings of Handel that Blandine Staskiewicz directs her attention in these arie di tempesta. Staskiewicz’s control of the depths and heights of the soul are matched by the instrumental accompaniment from Les Ambassadeurs and its director Alexis Kossenko.

Blandine Staskiewicz (who has appeared on previous Glossa albums in Lully, Campra and Handel in the company of Hervé Niquet and Fabio Bonizzoni) herself contributes an intriguing note about the genesis of this programme – complete with an alluring cover design – but it is her wonderfully controlled singing (and expertise in Baroque repertoire) which characterizes Tempesta so beguilingly.