WOLFGANG AMADEUS MOZART The last three symphonies
GCD 921119. 2 CDs
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Orchestra of the Eighteenth CenturyFrans Brüggen, conductor
Production details
Total playing time 53:51 + 38:11 Recorded live in Rotterdam (de Doelen), Netherlands, on 4 March 2010 Engineered by Jochem Geene (Studio van Schuppen) Executive producers: Sieuwert Verster & Carlos CésterBooklet in English - Français - Deutsch
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Commercial release sheet (PDF)
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WOLFGANG AMADEUS MOZARTThe last three symphonies
CD I
Symphony no. 39 in E flat major, KV 543 01 Adagio - Allegro 02 Andante con moto 03 Menuetto & Trio04 Allegro
Symphony no. 40 in G minor, KV 550 05 Molto allegro 06 Andante 07 Menuetto & Trio08 Allegro assai
CD II
Symphony no. 41 in C major, KV 551, “Jupiter” 01 Allegro vivace 02 Andante cantabile 03 Menuetto & Trio 04 Molto allegro
About this CD
More than three decades have elapsed since Frans Brüggen set down his earlier visions of the three final symphonies by Wolfgang Amadeus Mozart with his Orchestra of the Eigtheenth Century. Now, he has chosen to release his new views of these contrasting yet complementary works as part of his Grand Tour series on Glossa. The Dutch maestro has been regularly engaging with the music of the Salzburg genius throughout the time of his musical journey with the Orchestra of the Eighteent Century and the symphonies of Mozart have frequently appeared in their concert schedules.
If the precise, original performing locations for these symphonies remain elusive, the three works – “Jupiter”, K551, the E flat major, K543, and that “evergreen study in the key of G minor”, K550, known by people all around the world as the “Mozart 40” – all clamour for constant and fresh interpretations; these are precisely what Frans Brügge delivers. Recordings on Glossa from Brüggen in recent times – always made whilst on tour – have included Mozart’s concertos for horn, clarinet and violin, as well as the Requiem.
With Stefano Russomanno providing a wellconsidered booklet essay, this new release of the three final Mozart symphonies, available on two CDs and recorded live in Rotterdam, provides eloquent testimony to Frans Brüggen’s ability to summon up the expressiveness and spontaneity demanded by Mozart’s masterpieces from 1788.