LA BELLA PIÙ BELLA
Songs from early baroque Italy

01 Strana armonia d'amore (Giulio Romano)
02 Son ruinato, appassionato (Benedetto Ferrari)
03 Toccata V (Alessandro Piccinini)
04 Dolcissimo suspiro (Giulio Caccini)
05 Dalla porta d'Oriente (Giulio Caccini)
06 Torna, deh torna (Giulio Caccini)
07 Ciaccona (Giovanni Girolamo Kapsberger)
08 La bella più bella (Luigi Rossi)
09 Piangete, aure piangete (Giacomo Carissimi)
10 Toccata VI (Giovanni Girolamo Kapsberger)
11 A qual dardo (Luigi Rossi)
12 Udite amanti (Barbara Strozzi)
13 Mi fa rider la speranza (Barbara Strozzi)
14 Tasteggio soave (Bellerofonte Castaldi)
15 Folle è ben che si crede (Tarquinio Merula)
16 Cruda Amarilli (Sigismondo d'India)
17 Intenerite voi, lagrime mie (Sigismondo d'India)
18 Aria di Sarabanda (Alessandro Piccinini)
19 Ninna nanna (Giovanni Girolamo Kapsberger)
20 Ecco di dolci raggi (Claudio Monteverdi)
21 Eri già tutta mia (Claudio Monteverdi)
22 Voglio di vita uscir (Claudio Monteverdi)

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About this CD

It is with much pleasure that Glossa is able to announce the release of a further new recording featuring the marvellous vocal talents of that queen of Baroque music, Roberta Invernizzi: La bella più bella.

Known for her dazzling and elegant displays in the music of the later Baroque – Handel and Vivaldi come to mind, but also her Naples-related travelogue on the recent I Viaggi di Faustina – the Milanese singer has also nurtured, across her career, the more delicate and nuanced art of the Italian song repertory from the early 17th century, a time when courtly and polyphonic expression were giving way to the “moving of the emotions” by a solo singer accompanied by a single instrument. Renato Dolcini guides us through the musical evolution of this form in his illuminating booklet essay.

La bella più bella sees Roberta Invernizzi sailing gracefully across the terrain of such monody in songs composed by the likes of Kapsberger’s (his
Ninna nanna), Giulio Caccini, and Barbara Strozzi, as well as Luigi Rossi (whose dream-like piece provides the album with its title). Three of Claudio Monteverdi’s later works conclude this recital, in which lutenist and theorbist Craig Marchitelli accompanies (and also contributes a number of solo pieces by Kapsberger, Castaldi and Piccinini).