MARC-ANTOINE CHARPENTIER Messe de Monsieur de Mauroy
Le Concert SpirituelHervé Niquet
GCD C81602
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Performing artists
Michel Chapuis, grand orgue Marie-Louise Duthoit, soprano Claire Gouton, soprano Serge Goubioud, countertenor Pierre Evreux, tenor Christophe Sam, bass
Le Concert Spiritueldirected by Hervé Niquet
Production details
Playing time: 65:51 Recorded in Aisne (Abbaye de Saint-Michel en Thièrache), France, in June 1999 Engineered by Manuel Mohino Produced by Dominique Daigremont Executive producer: Carlos Céster Design: Valentín Iglesias Booklet in English - Français - Deutsch - Español
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MARC-ANTOINE CHARPENTIER (1643-1704)
Messe de Monsieur de Mauroy
1 Introït2 Kyrie3 Christe4 Kyrie5 Gloria6 Credo7 Offertoire8 1er Sanctus9 2ème Sanctus10 3ème Sanctus11 Élévation12 Benedictus13 1er Agnus Dei14 2ème Agnus Dei15 3ème Agnus Dei16 Domine Salvum Fac Regem17 Envoi
It is not only discerning music lovers around the globe who are giving a warm welcome to the recordings which are being published on Glossa; critical approval in the specialist media has been joining in as well. One example of the latter is the newly-instigated International Classical Music Awards (ICMA) which, for its inaugural 2011 edition, has chosen no less than nine of Glossa’s recent releases in its initial nominations. [read more...]
Hervé Niquet prefiere ser conocido por la pasión que siente por la música francesa en general (con especial interés por la lírica y vocal) que por ser un especialista en música barroca; en este sentido se siente tan a gusto dirigiendo una orquesta sinfónica como su propio ensemble de instrumentos de época, Le Concert Spirituel. A algunos les sorprenderá saber que Niquet ha estado trabajando estrechamente con la Filarmónica de Bruselas preparando una grabación de Debussy, que de hecho será el primer lanzamiento de la nueva aventura emprendida por Glossa dirigida a la exhumación del repertorio del concurso Prix de Rome, que desde su creación ha ido jalonándose con música de los más importantes compositores que ha dado Francia entre 1803 y 1968. [read more...]
Taking a leading role in the revival of tragédies lyriques (or tragédies en musique), the best of the French Baroque opera tradition, is a long, daunting (and expensive) challenge but one which Hervé Niquet has been keen to accept. Present as a singer in the chorus of Les Arts Florissants in 1987 when William Christie put on Lully’s Atys, Niquet formed his own ensemble, Le Concert Spirituel that same year. Since that time he has balanced his own endeavours to stage (and record) key French tragédies with his other musical interests, which extend from Monteverdi to Purcell and Handel (soon to be reissued – now on SACD – is Niquet’s recording of the Fireworks and Water Music suites) right the way through to later composers such as Schumann, Gounod and d’Indy.[read more...]