FRANÇOIS COUPERIN Les Ombres Errantes. Suites pour clavecin
Mitzi Meyerson
GCD 921802
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Performing artists
Mitzi Meyerson, harpsichord
Production details
Playing time: 74'30 Recorded in Berlin in May 2005 Engineered by Maria Suschke Produced by Maria Suschke & Mitzi Meyerson Booklet essay by Pierre Mamou English, French, Spanish, German
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FRANÇOIS COUPERIN (1668-1733)
Les Ombres Errantes Suites pour clavecin du Quatrième Livre 01-06 Vingt-Deuxième Ordre Le Trophée Le Point du Jour. Allemande L’Anguille Le Croc-en-jambe Menuets croisés Les Tours de Passe-passe 07-11 Vingt-Sixième Ordre La Convalescente Gavote La Sophie L’Épineuse La Pantomime 12-20 Vingtième Ordre La Princesse Marie La Boufonne Les Chérubins ou L'Aimable Lazure La Croûilli ou La Couperinéte La Fine Madelon La Douce Janneton Da capo La Fine Madelon La Sezile. Pièce croisée sur le Grand Clavier Les Tambourins 21-25 Vingt-Cinquième Ordre La Visionaire La Mistérieuse La Monflambert La Muse VictorieuseLes Ombres Errantes
There are keyboard players whose names adorn books of technical exercises – Carl Czerny, Charles-Louis Hanon and JB Cramer spring to mind – but Mitzi Meyerson, Glossa’s very own expert in sumo wrestling, social work and a Persian cat named Yofi, is cast from a somewhat different mould. It will not just be piano and harpsichord students who will have cause to recall the Chicago-born artist but any number of her fellow citizens (including non keyboard-playing cabbies) now that the ‘Mitzi Meyerson Way’ has officially been opened outside the main entrance to Roosevelt University on downtown Wabash Avenue in Chicago’s 2nd Ward. [read more...]