HEROES IN LOVE Opera arias by Gluck
GCD 924101
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Sonia Prina, alto
laBarocca Ruben Jais, conductor
Production details
Total playing time 71:28
Recorded in Milan (Auditorium di Milano), Italy, between September 2015 and June 2016 Engineered and produced by Stefano Barzan Mastered at Tranquilo Studio, Milan Assistant: Cinzia Guareschi Executive producer: Carlos Céster Booklet essay by Giovanni Andrea Sechi
English – Français – Deutsch
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HEROES IN LOVEOpera arias by Christoph Willibald Gluck (1714-1787)
01 Se in campo armato (Sofonisba. Milan, 1744)* 02 Sperai vicino il lido (Demofoonte. Milan, 1743) 03 Dal suo gentil sembiante (Demetrio. Venice, 1742)* 04 Sinfonia (Semiramide riconosciuta. Vienna, 1748)* 05 Nobil onda (Sofonisba. Milan, 1744)* 06 Se fedele mi brama il regnante (Ezio. Prague, 1750) 07 Se tu vedessi come vegg’io (Ippolito. Milan, 1745)* 08 Tradita, sprezzata (Semiramide riconosciuta. Vienna, 1748)* 09 Sinfonia (Ipermestra. Venice, 1744) 10 M’opprime, m’affanna (Sofonisba. Milan, 1744)* 11 Ah! non turbi il mio riposo (Telemaco. Vienna, 1765)12 Se il fulmine sospendi (Ezio. Vienna, 1763)
* world-premiere recordings [Edition of all the sources: Giovanni Andrea Sechi]
About this album
There is definitely no lack of heroic roles in the Gluckian repertory apart from the very well-known Orfeo from Orfeo ed Euridice: many memorable parts were assigned by this composer for the alto voice (either male castratos or female contraltos) – and it is precisely this repertory, written for excellent interpreters and yet still rarely performed today, which is celebrated on this CD.
As a consequence of a specific historical set of circumstances, Gluck had the good fortune to work with the final alto singers of his generation: not only Gaetano Guadagni, but also Giovanni Carestini, Vittoria Tesi and many others. Until the first part of the 18th century, the contralto register was the one especially favoured for heroic male roles and for those of heroines en travesti. Much of this repertory remains unexplored and of course unrecorded: with this new programme, Glossa tries to help filling a somewhat unexplainable gap.
Sonia Prina, one of the leading altos of her generation, teams up with the fine Milanese laBarocca orchestra, conducted by Ruben Jais, for her first full-scale opera recital on disc: and this after having sung the leading role in Handel’s pasticcio Catone, very recently released on Glossa, and anticipating her mind-blowing performance in Silla, another Handelian opera, with Fabio Biondi – to be presented in Autumn, as well on Glossa.
There is definitely no lack of heroic roles in the Gluckian repertory apart from the very well-known Orfeo from Orfeo ed Euridice: many memorable parts were assigned by this composer for the alto voice (either male castratos or female contraltos) – and it is precisely this repertory, written for excellent interpreters and yet still rarely performed today, which is celebrated on this CD. [read more...]