SICILIANE The songs of an island
GCD P33001
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Pino De Vittorio, voice, baroque guitar & percussion
Laboratorio ’600: Katerina Ghannudi, harp & organ Ilaria Fantin, archlute Franco Pavan, teorbo, baroque guitar & direction
Production details
Total playing time 72:11 Recorded at Studio Cascina Giardino, Crema (Italy), in October 2012 Engineered and produced by Rino Trasi Executive producer: Carlos Céster Booklet essay by Franco PavanBooklet in English - Français - Deutsch
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01 A la Santaninfàra 02 Danza cantata 03 La Pachianella 04 Ninna nanna ri la rosa 05 Tu rinnina 06 Li cinque passi 07 Passioni di Nostru Signuri 08 Canzone araba 09 Ninna nanna delle donne 10 Capona 11 La Castagnetta 12 Donna incostante 13 Amore celato 14 Amore sdegnato 15 Marsalisa 16 Ora canusco 17 Richiami 18 Stabat Mater 19 Suspiri miei 20 Tarantella siciliana 21 Sullu sullu 22 Er allavò 23 Siciliana per E24 C’eranu tri surelli
all pieces anonymous/traditional
About this CD
“When I began researching the Siciliane a few years ago, I never imagined the surprises, the treasures and the wonders that these settings of texts in the language spoken mainly on the island of Sicily held in store for me. Famous historians, enquiring musicians, obscure typographers, learned and enlightened ethnographers led me by the hand through a series of secret doors, some small, some large, into rooms lined with thousands of documents of poetry and music connected with the traditional culture of one of the most extraordinary of Mediterranean regions.”
These are the words of Franco Pavan, director of the ensemble Laboratorio '600 and the driving force behind this unique project, whose vocal role has been entrusted to the tremendous singer Pino De Vittorio (a regular on the many Neapolitan programmes from Antonio Florio and I Turchini). Providing a fascinating experience from the outset, this disc entices with music drawn principally from the 17th and 18th centuries, and with roots in both popular and learned cultures. Whilst many of these works come from collections published in Venice in the first half of the 17th century, today a significant proportion of this repertory is in existence as a result of the labours carried out by Giacomo Meyerbeer, Giuseppe Pitré and Alberto Favara during their journeys to Sicily in the 19th century. This recital has been exquisitely captured on record by Rino Trasi, permitting the enjoyment of all its beauty, as well as its relaxed, poetical and tender nature; its traditional flavour is combined with a cultured and learned awareness by a group of performers who have been expressing their love for early Italian music for a number of decades now.