ANDRÉ CAMPRA Gli strali d’Amore Divertimento immaginario
La RisonanzaFabio Bonizzoni
GCD 921512
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Performing artists
Roberta Invernizzi, dessus [Leonora] Cyril Auvity, haute-contre [Lelio]Salvo Vitale, basse [Il Dottore]
La Risonanza Ana Liz Ojeda, violin Claudia Combs, violin Caterina Dell’Agnello, basse de violon Gabriele Palomba, theorbo Fabio Bonizzoni, harpsichord & direction
Production details
Total playing time: 65’46 Recorded in Brunello, Italy, in November 2010 Engineered by Roberto Meo Produced by Sigrid Lee Executive producer: Carlos Céster Design: Valentín Iglesias Booklet essay: Barbara NestolaEnglish - Français - Deutsch - Español
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GLI STRALI D’AMORE Italian arias by André Campra Recitatives by Angela Romagnoli (text) and Fabio Bonizzoni (music) Interludes by Louis-Nicolas Clérambault
Louis-Nicolas Clérambault (1676-1749) 01 Sonata II in G major, La Félicité (C.52), for two violins and basso continuo: Lentement - Allegro
André Campra (1660-1744) 02 Recitativo (Lelio): Ah, che d’amor la gioia 03 a 2 (Lelio, Il Dottore): D’un geloso core - Recitativo (Il Dottore): D’amorosi mirti 04 Aria (Lelio): Amanti godete 05 Recitativo (Leonora): Alle vaghe lusinghe 06 Aria (Leonora): All’incanto d’un bel riso 07 Recitativo (Lelio): Adorata Leonora
Louis-Nicolas Clérambault 08 Sonata II in G major, La Félicité (C.52): Allegro - [Gavotte] - [Gigue] - Lent
André Campra 09 Recitativo (Leonora): Come, come dar fede 10 Aria (Leonora): La farfalla intorno ai fiori 11 Recitativo (Lelio): Idolo mio, t’arresta 12 Aria (Leonora): Pargoletti faretrati 13 Recitativo (Lelio): Idolo mio, già l’alma 14 a 2 (Lelio, Il Dottore): Vezzosette care pupillete 15 Recitativo (Leonora): Non rispondere, Amore 16 Aria (Leonora): Vuo’ vendetta 17 Recitativo (Leonora): Ma, Leonora, che pensi? 18 Aria (Leonora): Lungi da me martiri 19 Recitativo (Leonora): Ma ecco, che la quiete 20 a 2 (Il Dottore, Lelio): Luci belle 21 Recitativo (Leonora): Ecco che già il riposo 22 Aria (Leonora): Amor diletto 23 Recitativo (Il Dottore): La mia amata Leonora 24 a 2 (Il Dottore, Leonora): Bell’idolo d’amore 25 Recitativo (Leonora): Molesto mi è Il Dottore 26 Aria (Leonora): Amor te’l giuro affé
Louis-Nicolas Clérambault 27 Sonata V in D major, Chaconne (C.55), for violin and basso continuo
André Campra 28 Recitativo (Leonora): L’unico ben 29 Aria (Leonora): Non si puo’ vede 30 Aria (Leonora): Si scherzi si rida 31 Recitativo (Lelio): Se l’amata Leonora 32 Aria (Leonora): Ch’io viva senza te 33 Contre-danse 34 a 3 (Leonora, Il Dottore, Lelio): Tutti lieti festeggiate
About this CD
Fabio Bonizzoni has come up with another imaginative and enticing programme for his latest Glossa release, creating an Italian “pastiche” drama with music by André Campra and with the starring presence of soprano Roberta Invernizzi. This is the next new hit from La Risonanza to follow on discs devoted to music by Handel, Lully and Alessandro Scarlatti.
André Campra, a major figure in the world of French opera between Lully and Rameau, was clearly not very impressed by the former’s discouragement of Italian musical practices inside France when he was elevated to the post of surintendant de la musique du roi. In many of Campra’s French opéras-ballets and comédies-lyriques written by him as the 18th century was emerging out of the 17th (the period of the summit and the waning of the reign of Louis XIV) are to be found interpolated many dashing arias with texts in Italian (Campra’s father was Italian-born like Lully padre e figlio) and from some of these Fabio Bonizzoni and Angela Romagnoli have chosen and concocted Gli strali d’Amore (Love’s Arrows), thereby, curiously, following in the footsteps of Campra himself – who was a dab hand at this activity himself, as demonstrated by his own Les Fragments de Mr. De Lully.
Joining Bonizzoni and Invernizzi (Glossa has recently issued a “Portrait” album involving the Milanese soprano) in this delightful sequence of recitatives and da capo arias recorded in Tuscan Brunello are the impressive Cyril Auvity and Salvo Vitale, and a sprightly La Risonanza, together with an informative booklet essay from Barbara Nestola.
Fabio Bonizzoni’s attention on record to the music of Handel - which has, thus far, yielded seven discs devoted to the early Italian-texted cantatas - has just now had the good fortune to receive this year’s Stanley Sadie Handel Recording Prize for Apollo e Dafne, the final release in the present series for Glossa. This is the third time that Bonizzoni and his period-instrument ensemble La Risonanza have won this prestigious prize for their series of “Le Cantate Italiane di Handel” (previous winners were the first release, Le Cantate per il Cardinal Pamphili and the fifth, Clori, Tirsi e Fileno); three other recordings have also featured as runners-up. [read more...]