CLAUDIO MONTEVERDI Il Nerone, ossia L'incoronazione di Poppea version du manuscrit de Naples
La Venexiana Claudio Cavina
GES 920916-F
Édition limitée et numérotée à 2000 exemplaires
1 Livre + 3 CDs
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Performing artists
LaFortune: Pamela LucciariniLa Vertu: Francesca CassinariL’Amour: Alena DantchevaOttone, général romain: Josè Maria Lo MonacoDeux Soldats Prétoriens: Mario Cecchetti, Giovanni CaccamoPoppée, dame noble, favorite de Néron : Emanuela GalliNéron, empereur: Roberta MameliArnalte, nourrice de Poppée: Ian HoneymanOctavie, impératrice regnante: Xenia MeijerLa Nourrice d’Octavie: Makoto SakuradaSénèque, philosophe, précepteur de Néron: Raffaele CostantiniDrusilla, dame de cour: Francesca CassinariLe Page de l’impératrice: Alena DantchevaMercure: Andrea FavariLiberto, capitaine de la garde: Giovanni CaccamoLa Soubrette de l’impératrice: Pamela LucciariniLucain, poète, familier de Néron: Mario CecchettiLicteur: Andrea FavariVénus / Palla: Romina TomasoniChœur des Amis de Sénèque: Claudio Cavina, Mario Cecchetti,Andrea FavariConsuls et Tribuns: Giovanni Caccamo, Andrea FavariChœur d’Amours: Francesca Cassinari, Pamela Lucciarini, Xenia Meijer, Claudio Cavina
Production details
Enregistré en l’église de San Carlo, Modène, en septembre 2009 Prise de son: Andrea Chenna Direction artistique: Stefano Aresi Design: Valentín Iglesias Production exécutive: Carlos Céster
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CLAUDIO MONTEVERDIFrancesco Cavalli, Benedetto Ferrari, Francesco Sacrati et al.
Il Nerone, ossia L’incoronazione di Poppeaversion du manuscrit de Naples
CD 1 [73:29]PrologoAtto Primo (Scènes 1-10)
CD 2 [64:08]Atto Primo (Scènes 11-13)Atto Secondo (Scènes 1-11)
CD 3 [67:03] Atto Secondo (Scénes 12-15) Atto Terzo
About this CD
Cet enregistrement de La Venexiana ravive les passions qui ont enflammé les pages de l’un des plus éblouissants chefs-d’œuvre du théâtre musical baroque: Le Couronnement de Poppée. Attribué durant longtemps au génie de Claudio Monteverdi (1567-1643), cet opéra est aujourd’hui considéré comme le fruit des efforts conjugués et superposés de différents auteurs, parmi lesquels, Francesco Cavalli (1602-1676), Benedetto Ferrari (1603-1681), et Francesco Sacrati (1605-1650).
Fruit de la récente production scénique de La Venexiana, l'interprétation est accompagnée par les textes de trois érudits s’appliquant – avec des méthodes et des approches différentes – à révéler les remarquables beautés de ces musiques: Stefano Aresi propose un encadrement historique de la création du Couronnement et des problèmes de la praxis de son interprétation; Paolo Giorgi offre une description synthétique mais exhaustive de la fortune de cet opéra à l’époque moderne; et Maria Caraci Vela analyse les sources et les sens symboliques attribués aux évènements et aux personnages du livret et de la culture de son époque. Une fois encore, Glossa et La Venexiana nous offrent un ouvrage unique, sur l’art de Monteverdi et son héritage transmis aux compositeurs qui, avec et après lui, ont créé, animé et bouleversé le monde de la musique de leur temps.
At Glossa we are very proud to salute the musical talents of our artists, whose splendid recordings ended 2008 receiving further critical approval, important echoes of how other music-lovers have been reacting across the year. Back in September 2008 Claudio Cavina of La Venexiana received its second Gramophone Award in London when their recording of Montervedi's L'Orfeo was voted by the UK magazine's critics as the winner in the Baroque Vocal category. [read more...]
Not for the first time in their illustrious career, Claudio Cavina and his Italian vocal and instrumental ensemble La Venexiana have just received a strong critical vote of approval for their artistry, with the announcement on Thursday September 25th that they have won a coveted Classic fM Gramophone Award. Claudio Cavina was on hand to collect the Baroque Vocal Award for 2008 (decided on by the specialist critics of the UK-based Gramophone magazine) at a ceremony held in London, UK for his and La Venexiana’s recording of the fabula in musica by Claudio Monteverdi, L’Orfeo.[read more...]
“I really do not think that there is one composer who can be rightly compared to this genius.”
In completing their masterful Monteverdi Edition, Claudio Cavina and La Venexiana have returned to the beginning – to the Madrigali a cinque voci… Libro primo – of Monteverdi’s exploration of the madrigalian art form, a journey which was to occupy the composer for more than 50 years of his life across his staying in the cities of Cremona, Mantua and Venice. In this First Book, published in 1587 when the composer was barely 20 years old yet demonstrably showing clear evidence of his approaching maturity, La Venexiana’s performances are again faithful to Monteverdi’s passion for the written word – above all to the weight theme of love. In this final release in the Monteverdi Edition Cavina adds a twist in the tail by including on this new CD the madrigals from the posthumous Libro Nono put together by the composer’s Venetian publisher. With the rerelease of La Venexiana’s recording of Il Terzo Libro (complete with a new essay penned by Stefano Russomanno), eight volumes now comprise Glossa’s Monteverdi Edition, all available within the attractively and imaginatively unified design style which has become the hallmark of the label. [read more...]