ANDRÉ-ERNEST-MODESTE GRÉTRY Andromaque Tragédie lyrique. Paris, 1780
Le Concert Spirituel Hervé Niquet
GCD 921620 2 CDs
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Performing artists
Karine Deshayes, soprano Maria Riccarda Wesseling, mezzo-soprano Sébastien Guèze, tenor Tassis Christoyannis, baritone
Production details
Recorded at Salle Henry Le Bœuf, Palais des Beaux-Arts, Brussels, in October 2009 Engineered by Manuel Mohino Produced by Dominique Daigremont Executive producer: Carlos Céster Materials prepared by the Centre de Musique Baroque de Versailles (CMBV) Design: Valentín Iglesias Booklet essay: Benoît Dratwicki (CMBV) English - Français - Deutsch - Español
Links & downloads
Commercial release sheet (PDF)
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ANDRÉ-ERNEST-MODESTE GRÉSTRY (1741-1813)
Andromaque
CD I
Ouverture Acte Premier
CD II
Acte Deuxième Acte Troisième
About this CD
Working in collaboration with the Centre de Musique Baroque de Versailles and the Palazzetto Bru Zane (Centre de Musique Romantique Française), Hervé Niquet and Le Concert Spirituel carry on with their journey of rediscovering forgotten operatic works, this time pitting themselves against music from the close of the Age of Enlightenment, in Andromaque (1778), the single tragédie lyrique written by André-Ernest-Modeste Grétry (1741- 1813). Known above all for his light opéras- comiques, at the end of his career the composer turned towards an increasingly heroic style in the vein of Méhul and Cherubini.
The work reflects the tendency of an age of changes which was torn between a nostalgia for the times of the reign of Louis XIV and the cult of modernity and progress. Thus, it overlays on the barely- altered Jean Racine text of Andromaque (1667) a music already suffused with Romantic aspirations where literally unheard-of tones and accents clothe the passions of the Classical Greek age in a new guise. Never performed again after its initial production Andromaque today reveals all the modernity of the French school on the eve of the French Revolution and imposes itself without doubt as one of the most singular and unexpected links between the Baroque and Romanticism.
It is not only discerning music lovers around the globe who are giving a warm welcome to the recordings which are being published on Glossa; critical approval in the specialist media has been joining in as well. One example of the latter is the newly-instigated International Classical Music Awards (ICMA) which, for its inaugural 2011 edition, has chosen no less than nine of Glossa’s recent releases in its initial nominations. [read more...]
For its first DVD release Glossa has chosen a veritable spectacular, combining the strong creative ideas represented by one of its established artistic teams in Hervé Niquet and Le Concert Spirituel, the fabulously funny and hugely-successful French comedy duo of Shirley and Dino (Corinne and Gilles Benizio in real life), a film director in Olivier Simonnet with proven experience in the music of the Baroque and a masterpiece of a dramatick operatic score in Henry Purcell’s King Arthur. [read more...]