GEORG FRIEDRICH HAENDEL Olinto pastore
La Risonanza Fabio Bonizzoni
GCD 921526
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Performing artists
La RisonanzaFabio Bonizzoni, harpsichord & direction
Roberta Invernizzi, sopranoYetzabel Arias Fernández, sopranoRomina Basso, alto
Matthias Champon, trumpet Leila Schayegh, solo violin Carlo Lazzaroni, Rossella Borsoni, Silvia Colli, Raffaello Negri, Elena Telò, violins Caterina Dell’Agnello, cello Davide Nava, double bass
Production details
Total playing time: 68’35Recorded in Saint-Michel en Thiérache, France, in June 2008 Engineered by Adriaan Verstijnen Produced by Tini Mathot Executive producer: Carlos Céster Design: Valentín Iglesias Booklet essay: Carlo Vitali English Français Deutsch Español
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GEORG FRIEDRICH HAENDEL (1685-1759)
Olinto pastoreLe Cantate Italiane di Handel VI Rome, 1708
1-19 Olinto, pastore arcade(Oh! Come chiare e belle) [HWV 143]
20-31 Duello amoroso(Amarilli vezzosa) [HWV 82]
32-35 Alpestre monte [HWV 81]
About this CD
The Accademia degli Arcadi - that thought-provoking and ideas-creating literary circle set up by a group of poets, composers, aristocrats and churchmen, which championed a return to classical (and pastoral) ideals and one of whose keenest members was the Marquis Francesco Maria Ruspoli, Handel’s patron in Rome - forms the aesthetic background for this sixth and penultimate release in the series of Italian cantatas by the Saxon composer which Fabio Bonizzoni and La Risonanza are making for Glossa. In an engrossing essay written by Carlo Vitali (which additionally benefits from the counsels of Michael Talbot), the listener/reader is introduced to the social and political references contained within the pastoral texts of Olinto, pastore arcade, Duello amoroso and Alpestre monte, the three Handel cantatas which make up this CD. For this disc Bonizzoni turns again to three of his regular singers (the sopranos Roberta Invernizzi and Yetzabel Arias Fernández and the mezzo soprano Romina Basso) as well as counting upon the services of his exceptional first violinist, the young Swiss Leila Schayegh, an up-and-coming player whose talent is beginning to be an open secret... The spring of 2010 is anticipated as seeing the conclusion of this Handel collection, the grand finale being that marvellous cantata Apollo e Dafne.
Fabio Bonizzoni’s attention on record to the music of Handel - which has, thus far, yielded seven discs devoted to the early Italian-texted cantatas - has just now had the good fortune to receive this year’s Stanley Sadie Handel Recording Prize for Apollo e Dafne, the final release in the present series for Glossa. This is the third time that Bonizzoni and his period-instrument ensemble La Risonanza have won this prestigious prize for their series of “Le Cantate Italiane di Handel” (previous winners were the first release, Le Cantate per il Cardinal Pamphili and the fifth, Clori, Tirsi e Fileno); three other recordings have also featured as runners-up. [read more...]