WOLFGANG AMADEUS MOZART The Violin Concertos Sinfonia Concertante
Orchestra of the Eighteenth CenturyFrans Brüggen
GCD 921108
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Performing artists
Orchestra of the Eighteenth Century Frans Brüggen
Thomas Zehetmair, violin Ruth Killius, viola
Production details
Recorded live in Brazil and the Netherlands between September 2000 and October 2005 Engineered and produced by Studio van Schuppen Executive producers: Sieuwert Verster & Carlos Céster Design: Valentín Iglesias Booklet essay: Alexandre Dratwicki English Français Deutsch Español
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WOLFGANG AMADEUS MOZART
The Violin Concertos
CD I 66:32 1-3 Violin concerto no. 1 in Bb major, KV 207Allegro moderato – Adagio – Presto4-6 Violin concerto no. 4 in D major, KV 218Allegro – Andante cantabile – Rondo7-9 Violin concerto no. 5 in A major, KV 219Allegro aperto – Adagio – Tempo di minuetto
CD II 69:401-3 Sinfonia concertante for violin and violain Eb major, KV 364Allegro maestoso – Andante – Presto4-6 Violin concerto no. 3 in G major, KV 216Allegro – Adagio – Rondo7-9 Violin concerto no. 2 in D major, KV 211Allegro moderato – Andante – Rondo
About this CD
Six years of recording silence is about to come to an end! Frans Brüggen and the Orchestra of the Eighteenth Century are making their return in style and once more this is in partnership with Glossa – and within The Grand Tour collection (now provided with a brand new design), a cooperation which provided the home for all the orchestra's productions between 1997 and 2002. Five new titles are planned over the next 18 months, releases which are bound to be enthusiastically welcomed by the numerous devotees all over the world of this inspiring orchestra who have been continuing to enjoy the four or five tours each year that Brüggen and his musicians have been making.
From three of these tours (in Brazil and The Netherlands) originate the recordings presented here now, replete with a Thomas Zehetmair on top form and offering a lesson in judicious playing and a boundless musicality in repertory which he dominates like nobody else. With his Stradivarius of 1730 and a classical-period bow, Mozart's music sounds fresher than ever, supported moreover by an orchestra which has lost nothing of its energy since its foundation back in 1981. As a distinctive extra to the complete set of violin concertos Zehetmair and Ruth Killius engage in a superb version of the Sinfonia concertante for violin and viola, undoubtedly one of the most beautiful ever recorded.
How has the orchestra’s approach to the Beethoven symphonies evolved over the years?
This is a discussion that is very much alive in the orchestra: when we first started, we had no repertoire. So, with every piece that we were approaching we had to work and to discuss, in the old-fashioned way. For years we worked like this, never doing more than one Beethoven symphony in a year – and then we played it over and over again. So, it took us twelve years before we completed the cycle with the Ninth. If you play such pieces again after so many years, things start to change: tempi have changed and whereas we had always been arrogant about all those conductors, who after a certain period of time, decided to rerecord pieces, we – the orchestra members and me personally – now think that it is a good idea to do it again. [read more...]